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This eponymously titled catalogue is a survey of Liz Magor’s work from 1989 to 2002 and contains four essays examining the artist's sculptural and photographic production, including her ten year project documenting hobbyists who stage historical battles. Other common themes in Magor’s work such as issues of Canadian identity and themes of survivalism are also explored. The catalogue includes colour and black & white reproductions and a detailed exhibition history and bibliography.
This publication is a proud recipient of the 2003 OAAG Awards in the Curatorial Writing category.
Product Information
Authors: Arnold Grant, Philip Monk, Shepherd Steiner, The Office for Soft Architecture
Publisher: The Power Plant and the Vancouver Art Gallery
Year: 2002
Pages: 96
Illustrations: Black/white
The Power Plant is Canada's leading art gallery devoted exclusively to contemporary art by artists from Canada and the world. We aim to share art with wider audiences through free admission to our exhibitions, public programs, and educational publications.